Monday, June 13, 2016

Fadensonnen - Gutter Wanderer (FR016 - June 2016)


AMPHETACYCLE / SLITHERSIDE / BREAKNECKS / THE DRIFT / SLAMMIN' / NIGHTSWEAT / 
ACCELERATOR / ANDROIDOIDS / ELECTRIC CITY / FIRESTORM / SLIT WALKER / TENSION BLADE



Twelve track songs album from beneath the gutters of NYC - unbalanced guitar attack energy rock for the down and out nervous systems of the modern gutter world. Play loud for max frequencies!



DIGITAL ALBUM AND ART EDITION LP EXCLUSIVELY AVAILABLE AT OUR BANDCAMP

GUTTER WANDERER BANDCAMP

REVIEWS:


VIA CHRIS STIGLIANO'S EXCELLENT BLOG TO COMM: 


"Fadensonnen-GUTTER WANDERER LP (Fadensonnen)


It's kinda strange listening to Fadensonnen wreak musical glory on old-styled technology, but given how I can listen to four-hundred-plus-year-old vocal compositions on my Cee-Dee player maybe trans-generational technological mixes and matches is a rather spirited idea after all. Mr. D continues on his over-the-hills-and-far-away guitar stylings (imagine a cross between all five of your out-guitar faves, and add some more) even dipping into some ACTUAL MELODIES when the spirit arises! Pretty hotcha outre-blare that should make all of Fadensonnen's fans happy enough knowing that the ultimate soundsquall has not been squelched no matter how hard lesser beings have tried."

VIA MATT KORVETTE'S EXCELLENT YELLOWGREENRED.COM : 

"Wow, I love when a record like this shows up on my doorstep, a project I’ve never heard of (and surely few have) that completely slays, free from the restraints of modern society or, even worse, the music biz. Fadensonnen hail from Brooklyn, and I’ll have to forgive them for that, as Gutter Wanderer is an immaculate long-play record of pointless guitar fireworks. It sounds like the first Purling Hiss album (the one that was all scorching-hot solos and no songs), with less in-the-red distortion and more notes – endless, endless notes. Many of these tracks sound like the folks behind Fadensonnen left the Tascam four-track on fast-forward and decided to riff along with it, in wild swirls of guitar that recall five Demo Moe tracks playing at once, or Borbetomagus if their instrumentation was two guitars and a tape deck. I’m certain that at some point, there was a coherent riff or two, but Fadensonnen stacks a pile of guitars so large that one’s brain cannot focus on anything but its vast outline. What I’m describing could easily be a Merzbow-esque squall that you automatically tune out after a couple minutes, but Gutter Wanderer is constantly moving, bouncing off walls and stumbling over garbage cans like they’re chased by the cops. The confusing hand-made sleeve, wherein you have to fold this tiny little flap open in order to read any liner notes, is the perfect inconvenience to top off this mighty slab of hostile guitar music."


VIA BYRON COLEY on TWITTER:
new LP by fadensonnen, "gutter wanderer," is their best yet. two guitar metal machine excess -- Smashchords on scum "


VIA GRANT "GUMSHOE" PURDAM @ TINY MIX TAPES:
" It only took a few minutes to get me hooked on Fadensonnen years ago when I blogged about the excellent White Night, hell’s answer to that tight Chrome Jackson LP that got anally Cerberized in 2012, or maybe those old Matta Gawa albums. Or maybe this: Fadensonnen are to guitarisms what Mincemeat Or Tenspeed are to pedal worship, both packing the frenzy and bluster of an impromptu shootout with a crazy neighbor. Gutter Wanderer slinks out of a smoky sewer and lets its demands be known early and often, and it goes a little somethin’-like-this-here-goes: Don’t worry about where, who, or why you are, and don’t ask questions like, “Where’s the singer?” or, “Who is this music for?” It’s for people like GUMSHOE, dammit (my name is not Gum!), and despite our small numbers you won’t find a group of more dedicated enthusiasts. The thrill of F-sonnen’s jet-propelled, battery-charged, free-wheeling/-dealing/-face-peeling attack lies in the intricate layers that uncoil and strike just when you figure it’s time to grab a snack. Also appealing is the unmitigated obsessiveness that must accompany such a sophisticated-yet-in-the-pocket guitar strategy. I play guitar, OK, and I’ve never seen the fun in maxing out its sonic capabilities for some weird reason, though I tend to enjoy hearing someone else do it, especially when they’ve got the chops of a Fadensonnen/Stephen Mattos/Mick Barr/etc. But just imagine the geeking-out it takes to reach the point where you can guide an entire album with what MUST be improvised guitar-sugar-death magick. There exist several counterpoints to PD’s and RD’s (yep, these are the names, far as I can tell) guitar theatrics, but they barely even register as small distractions buttressing a storm of tragic proportions. I wish there were some way to inject a little low-end into Gutter Wanderer, as my ears have, over the years, started to resent the treble-heavy production values of many an experimental musician. Thing is, Fadensonnen never asked for my permission, or yours. They fuck shit up, and you’d be a fool not to jump ship when you see them descend onto your freighter. Rarely does instrumental music cut so deep, and the heaviness equals anything you’ll hear in the metal world (save Grave Upheaval; that’s some satanic shit). This album may have slunk out of a radioactive gutter but it reaches for the stars and comes close to a full eclipse of the sun when hitting on all cylinders. The only question is: Which forward-thinking indie label is going to take a chance on the F-sonnen next? Make it happen, I can’t imagine waiting another two years for a Fadensonnen record to show up on my doorstep."